/ot/ - off-topic

Suicide in the Trenches by Siegfried Sassoon.

I knew a simple soldier boy
Who grinned at life in empty joy,
Slept soundly through the lonesome dark,
And whistled early with the lark.
In winter trenches, cowed and glum,
With crumps and lice and lack of rum,
He put a bullet through his brain.
No one spoke of him again.

You smug-faced crowds with kindling eye
Who cheer when soldier lads march by,
Sneak home and pray you'll never know
The hell where youth and laughter go.

This one is my all time favorite:

The Passing Strange by John Masefield

Out of the earth to rest or range
Perpetual in perpetual change,
The unknown passing through the strange.

Water and saltness held together
To tread the dust and stand the weather,
And plough the field and stretch the tether,

To pass the wine-cup and be witty,
Water the sands and build the city,
Slaughter like devils and have pity,

Be red with rage and pale with lust,
Make beauty come, make peace, make trust,
Water and saltness mixed with dust;

Drive over earth, swim under sea,
Fly in the eagle’s secrecy,
Guess where the hidden comets be;

Know all the deathy seeds that still
Queen Helen’s beauty, Caesar’s will,
And slay them even as they kill;

Fashion an altar for a rood,
Defile a continent with blood,
And watch a brother starve for food:

Love like a madman, shaking, blind,
Till self is burnt into a kind
Possession of another mind;

Brood upon beauty, till the grace
Of beauty with the holy face
Brings peace into the bitter place;

Prove in the lifeless granites, scan
The stars for hope, for guide, for plan;
Live as a woman or a man;

Fasten to lover or to friend,
Until the heart break at the end:
The break of death that cannot mend;

Then to lie useless, helpless, still,
Down in the earth, in dark, to fill
The roots of grass or daffodil.

Down in the earth, in dark, alone,
A mockery of the ghost in bone,
The strangeness, passing the unknown.

Time will go by, that outlasts clocks,
Dawn in the thorps will rouse the cocks,
Sunset be glory on the rocks:

But it, the thing, will never heed
Even the rootling from the seed
Thrusting to suck it for its need.

Since moons decay and suns decline,
How else should end this life of mine?
Water and saltness are not wine.

But in the darkest hour of night,
When even the foxes peer for sight,
The byre-cock crows; he feels the light.

So, in this water mixed with dust,
The byre-cock spirit crows from trust
That death will change because it must;

For all things change, the darkness changes,
The wandering spirits change their ranges,
The corn is gathered to the granges.

The corn is sown again, it grows;
The stars burn out, the darkness goes;
The rhythms change, they do not close.

They change, and we, who pass like foam,
Like dust blown through the streets of Rome,
Change ever, too; we have no home,

Only a beauty, only a power,
Sad in the fruit, bright in the flower,
Endlessly erring for its hour,

But gathering, as we stray, a sense
Of Life, so lovely and intense,
It lingers when we wander hence,

That those who follow feel behind
Their backs, when all before is blind,
Our joy, a rampart to the mind.

Kenneth Rexroth, When We With Sappho

“… about the cool water
the wind sounds through sprays
of apple, and from the quivering leaves
slumber pours down …”
We lie here in the bee filled, ruinous
Orchard of a decayed New England farm,
Summer in our hair, and the smell
Of summer in our twined bodies,
Summer in our mouths, and summer
In the luminous, fragmentary words
Of this dead Greek woman.
Stop reading. Lean back. Give me your mouth.
Your grace is as beautiful as sleep.
You move against me like a wave
That moves in sleep.
Your body spreads across my brain
Like a bird filled summer;
Not like a body, not like a separate thing,
But like a nimbus that hovers
Over every other thing in all the world.
Lean back. You are beautiful,
As beautiful as the folding
Of your hands in sleep.
We have grown old in the afternoon.
Here in our orchard we are as old
As she is now, wherever dissipate
In that distant sea her gleaming dust
Flashes in the wave crest
Or stains the murex shell.
All about us the old farm subsides
Into the honey bearing chaos of high summer.
In those far islands the temples
Have fallen away, and the marble
Is the color of wild honey.
There is nothing left of the gardens
That were once about them, of the fat
Turf marked with cloven hooves.
Only the sea grass struggles
Over the crumbled stone,
Over the splintered steps,
Only the blue and yellow
Of the sea, and the cliffs
Red in the distance across the bay.
Lean back.
Her memory has passed to our lips now.
Our kisses fall through summer’s chaos
In our own breasts and thighs.
Gold colossal domes of cumulus cloud
Lift over the undulant, sibilant forest.
The air presses against the earth.
Thunder breaks over the mountains.
Far off, over the Adirondacks,
Lightning quivers, almost invisible
In the bright sky, violet against
The grey, deep shadows of the bellied clouds.
The sweet virile hair of thunder storms
Brushes over the swelling horizon.
Take off your shoes and stockings.
I will kiss your sweet legs and feet
As they lie half buried in the tangle
Of rank scented midsummer flowers.
Take off your clothes. I will press
Your summer honeyed flesh into the hot
Soil, into the crushed, acrid herbage
Of midsummer. Let your body sink
Like honey through the hot
Granular fingers of summer.
Rest. Wait. We have enough for a while.
Kiss me with your mouth
Wet and ragged, your mouth that tastes
Of my own flesh. Read to me again
The twisting music of that language
That is of all others, itself a work of art.
Read again those isolate, poignant words
Saved by ancient grammarians
To illustrate the conjugations
And declensions of the more ancient dead.
Lean back in the curve of my body,
Press your bruised shoulders against
The damp hair of my body.
Kiss me again. Think, sweet linguist,
In this world the ablative is impossible.
No other one will help us here.
We must help ourselves to each other.
The wind walks slowly away from the storm;
Veers on the wooded crests; sounds
In the valleys. Here we are isolate,
One with the other; and beyond
This orchard lies isolation,
The isolation of all the world.
Never let anything intrude
On the isolation of this day,
These words, isolate on dead tongues,
This orchard, hidden from fact and history,
These shadows, blended in the summer light,
Together isolate beyond the world’s reciprocity.
Do not talk any more. Do not speak.
Do not break silence until
We are weary of each other.
Let our fingers run like steel
Carving the contours of our bodies’ gold.
Do not speak. My face sinks
In the clotted summer of your hair.
The sound of the bees stops.
Stillness falls like a cloud.
Be still. Let your body fall away
Into the awe filled silence
Of the fulfilled summer —
Back, back, infinitely away —
Our lips weak, faint with stillness.
See. The sun has fallen away.
Now there are amber
Long lights on the shattered
Boles of the ancient apple trees.
Our bodies move to each other
As bodies move in sleep;
At once filled and exhausted,
As the summer moves to autumn,
As we, with Sappho, move towards death.
My eyelids sink toward sleep in the hot
Autumn of your uncoiled hair.
Your body moves in my arms
On the verge of sleep;
And it is as though I held
In my arms the bird filled
Evening sky of summer."